Working with Steve Aoki on this project was all about high energy and even higher saturation. When you're dealing with a personality that big, the visuals have to match.

Filming cars in Toronto usually means a logistical nightmare—road permits, police escorts, and praying the "Golden Hour" lasts longer than 40 minutes. On this recent project, we brought the road into the studio using an LED wall (Virtual Production)

Filming the "In My Bed" video for Sabrina Carpenter was a massive exercise in technical problem-solving. The creative vision required her to float seamlessly above her bed, which meant we couldn't just "fix it in post"—we needed a safe, rock-solid rigging solution on set.

FInterviews don't have to be static or predictable. For the CSC Insight Series, we wanted to create a visual environment as deep as the conversations themselves. As both the director and cinematographer on this project along with the great Jeremy Benning ASC CSC, my goal was to step away from the traditional "office background" and utilize a Virtual Production setup to craft a high-end, cinematic look.